HomeMy WebLinkAbout08/20/1996, 1 - CHINATOWN HISTORIC DISTRICT PUBLIC ART PROJECT. Council zo
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CITY OF SAN LUIS O B I S P O
FROM: Arnold o
PREPARED BY: Jeff Ho# --__�
SUBJECT: Chinatown Historic District Public Art Project.
CAO RECONEM ENDATION: 1) Accept the recommendation of the Chinatown Public Art
Committee to retain artist Peter Ladochy; 2) endorse the concept design and refer it to the
Architectural Review Commission for final review and approval; 3) authorize use of$10,000 from
the Parking Transportation Fund and$5,000 from the Public Art Fund to cover the project's costs;
and 4) authorize the CAO to execute an agreement with Mr. Ladochy following ARC approval.
DISCUSSION
Chinatown Public Art Committee Recommendation
The Chinatown Public Art Committee, chaired by Alice Loh of the Cultural Heritage Committee,
has met regularly during the past six months to prepare a Request For Proposals, review artists'
proposals, and to interview artists, as described in the attached Request For Proposals (RFP).
After carefully reviewing the artists' qualifications and art proposals, the Committee unanimously
recommends the selection of Peter Ladochy to install the Chinatown public artwork. The
Committee's recommendation is being referred to the City Council for two reasons: 1) to allow
Council to review the artwork's design concept; and 2) to consider the Committee's request for
additional funding for the proposed artwork and designate a preferred funding strategy.
Background
When the Palm Street parking structure was built in 1987, Council allocated $10,000 for the
installation of public art, in keeping with the City's policy of allocating one percent of
construction costs of most public facilities for public art. After the structure was completed, a
public art proposal to install decorative Palm trees on the newly-built parking structure was
rejected due largely to neighbor objections that the artwork did not reflect Chinese-American
culture. Subsequently, public art funds were reallocated for other purposes and public art was
not installed at the parking structure. In September 1995, as part of its action creating a new
Chinatown Historic District, the City Council reinitiated efforts to install public art on the Palm
Street Parking Garage. Council set a tentative budget of$10,000, and authorized the CHC to
solicit artists' proposals.
Following the Council's action, the Cultural Heritage Committee (CHC) organized a 10-member
ad-hoc committee to help select the artist and artwork and to help coordinate installation. Citizens
serving on the committee are: Alice Loh, CHC Chair/Chinese-American community
representative; Jeanne La Barbara, Art Historian; Susan Beatty, SLO County Arts Council; Craig
Smith, Architect; Bruce Fraser, Architect; Paula Carr, Citizen/Historian; Margot McDonald,
Architect; Howard Louis, Property Owner/Chinese-American community representative; and
Staff Report
Page 2
Dave Garth, Chamber of Commerce.
Artist Selection
The Committee received six proposals, evaluated and ranked the proposals based on their design
quality, presentation, and consistency with the RFP. The Committee then interviewed the artists
for the three top-ranked proposals. Committee members felt that Mr. Ladochy's proposal was the
most unique and creative design, and best reflected the Chinatown cultural theme. In particular,
the use of mosaic tile was considered a high-quality, long-lasting medium for this highly visible,
southwest facing location. Mr. Ladochy, MFA, a resident of Cayucos, is an experienced sculptor,
painter, and muralist who has completed public artworks in Morro Bay, Encinitas, Palm Desert,
Los Angeles and Copenhagen. Other qualified artists interviewed were Benjamin Bottoms of
Santa Barbara and Betty Field-Haley of Los Osos. Renderings of the top-ranked proposals will
be available at the Council office and at the Council meeting.
Artwork Description
The recommended artwork is described in the attached letter from the artist. It is a three-piece,
mosaic mural covering about 600 square feet. It blends traditional Chinese characters and symbols
to commemorate Chinese-American culture and contributions in San Luis Obispo. The mural
would be mounted on rigid panels which in turn, would be installed on the west elevation of the
Palm Street parking structure, visible from Palm and Chorro Streets. Once installed, the mural
could be removed in sections if necessary for cleaning, repair, or relocation.
Artwork Cost
The recommended artwork exceeds the budget identified in the RFP by $10,000. The Committee
discussed design alternatives to reduce the cost to within the original budget (smaller mural size,
different materials); however committee members felt that quality represented in the artist's
rendering should be preserved, even if that meant seeking additional private and/or public funding.
With an offer of a private donation of$5,000 for this specific artwork, committee members were
optimistic that the additional $5,000 needed could be secured. The other two top-ranked proposals
came in at $10,000, and consisted of acrylic paint on plexiglas or Suntex canvas panels.
The Committee feels the additional cost is warranted because: 1) the$10,000 "percent for art" fee
in 1987, when the parking structure was built, equates to $13,800 in 1996 dollars. In short, it is
more expensive to develop public art today than it was nine years ago; 2) the use of mosaic tile
is a more expensive, but longer-lasting, medium than paint. 'It is the only one of three top-ranked
proposals which uses this technique; and 3) a total City contribution of$15,000 is a relatively
small cost to complete an artwork of this size and design (600 square feet, approx.). A $5,000
additional City contribution would match a private donation offered for this artwork. Committee
members will be present at the Council meeting to explain and support their recommendation.
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Staff Report
Page 3
Funding Strategy/Facal Impact
The recommended artwork is estimated to cost $20,000, installed. Council has already budgeted
$10,000, and $5,000 has been donated toward the artwork (the donor wishes to remain
anonymous). An additional $5,000 is needed to fabricate and install the piece. If Council
supports the artwork as proposed, the request for additional funding could be met two ways: 1)
by using Parking Funds to cover all or a portion of the funding shortfall; or 2) by using Public
Art funds.
The first approach would use Parking Funds to cover all or a portion of the $5,000 shortfall. In
support of this approach, the Committee noted that if the original $10K had been set aside and
earning interest since it was originally budgeted in 1987, the amount available for public art would
now be considerably greater than $10,000 due to accrued interest. Moreover, construction costs
have increased since 1987, and allowing for inflation, the "one percent for art" for the parking
garage in 1996 dollars would be approximately$13,800. The Parking Fund has a current balance
of approximately $1.5 million.
The second approach would use citywide public art funds to cover the $5,000 shortfall. There is
a balance of$14,100 in 1995-97 Public Art in-lieu funds account (# 400-9626-532-553). These
funds are available to use for any public art project, at Council's discretion, and could be used to
supplement the original $10,000 budget. This is staff's recommended approach because it
minimizes the impact to the Parking Fund, and utilizes available public art funds earmarked for
this purpose.
What's Next
Under the City's public art guidelines, this artwork requires Architectural Review Commission
review. After the Council indicates its preferred funding strategy, it should refer the item to the
ARC for a public hearing. Following ARC action, the artwork would then normally go.to the
City Council for approval, due to the use of city funds. However, since Council has already seen
the artwork, it may choose to shorten the approval process by deferring final approval to the ARC.
ALTERNATIVE
1. Do not allocate additional funding beyond the$10,000 budget previously allocated, and
direct that the artwork be modified through a reduction in size or change in materials to
reduce cost to within the original $10,000 budget. The artist has indicated that such a
design change is possible; however the Chinatown Public Art Committee recommends that
the artwork be approved at the proposed size and with the proposed, high-quality mosaic
tile. Committee members feel that given the visibility and importance of the artwork, it
merits the relatively modest increase in city funding.
Attachments: Chinatown Public Art Request For Proposals
Artist's public art proposal
Available in Council office: Artists' renderings
REQUEST FOR PROPOSALS
PUBLIC ART IN SAN LUIS OBISPO:
A WORK OF ART FOR HISTORIC CHINATOWN
INVITATION TO SUBMIT The City of San Luis Obispo is commencing a new phase of Public Art as
an important civic investment. Interested artists are invited to submit
proposals for a work of art commemorating the historic Chinatown
district in downtown San Luis Obispo. The work of art will be installed
on the Palm Street Parking Garage.
PUBLIC ART FOR CHINATOWN The public art for the Palm Street Garage should reflect the historical
character of the district recognizing the past Chinese participation in the
local community. The Chinatown District preserves numerous remnants
of historic structures as well as architectural ornamentation(e.g.,Ah Louis
Gift Store).
BUDGET The historic Chinatown district(Palm Street from Chorro to Morro)was
approved in September 1995 and at the same time funds were given
preliminary approval for the public artwork to commemorate the district.
The current budget for the project is$10,000. The budget will include the
artist(s)fee,engineering fees,all labor and materials,transportation,
installation,documentation,professional liability and other insurance.
DESIGN CRITERIA The project is intended to:
• commemorate the presence of the Chinese community
• reflect the meaning and value of the historic district
• display local civic pride and creativity
• celebrate public art in San Luis Obispo
MEDIA & METHODS The artwork:
• may be of any media as long as it is durable(resistant to weather,color
fading,and ultraviolet light)and does not require excessive maintenance
• must be removable(if ever a structure is built adjacent to the existing
parking age)
• must be vandal-resistant
SELECTION Semi-finalists will be selected from this Request for Proposals. Based on
their subsequent submittals,a finalist and alternate will be chosen by a
jury of local design professionals,artists,arts organizations and citizens.
The City reserves the right to refuse all entries.
DATES (Revised 5/10/96) May 29, 1996 Deadline for proposal submission.
June 6, 1996 Notification of short list candidates.
July 17, 1996 Submittals due from semi-finalists.
July 1996 Review of submittals.
July 22-26, 1996 Interviews of candidates.
August 6, 1996 Finalist notified.
Nov.20, 1996 Artwork installation completed according to
contract with City.
14
Peter Iadochy, m fa 805 - 995-3579
Proposal for The. Chinatown Mural
" A Love Story "
Like floating "continents", the Chinese characters "Al" and"HAI"
are traversed with the help of the Life-force,Dragon.
In the character for Love, "AI", the young swain,Ah is seen looking west-
ward,and is seen holding a symbol of his desire. A boat waits upon him
in the roiling surf; while the symbols of his Old World traditions
pull to the East.
In "HAI",the Character for Twin .Toys, the New World is depicted
thru Ah's life: with his bride; in the service of commerce; of the rail-
road labor; mission; and buildings of his Chinatown in SLO. Beneath
are to be found the scattered remnants of Indian and Mexican cultures.
The free-form relief,supplanting the grilles,attemps to convey a
story uniquely while maintaining the integrity of the strength of its
ambience,as well.
The red tile-delineated characters,with fields of neutral 2x4 tiles
running in courses are inlaid with several "scenes" in mosaic glass,
tile,pottery and shells.
The inlaid "scenes" also attempt to suggest tones of indigenous art
forms,such as, stone for effigies; inked figures; tintype;etc. ,which
are integrated texturally and with use of grout lines.
The dragon shape suggests carved red lacquer, subtly shaded as counter-
point to its dynamic form.
Overall size of 3-piece mural is ca. 20x3Oft.x6 inches; fabricated
on cementitious board, in sections for convenience; and are "portable".
The Dragon (A) is to be anchored to brick wall thru 2x12s with lags, & (r;
the Characters are "hung" over it and bolted for security. at far
corners, spacers and simple anchors prevent warpage or sagging in a
tsunami. Approx. weight per sq.ft. is 5. pounds.
The installation ideally requires a week-end on a cherry-picker
with assistant, builder,Peter Doyle, who is self insured.
Upon approval of final design, the mural may be completed in ca.
4-5 months with a suggested cost of twenty thousand dollars. Budget &
time break-downs on request.
Thank u for your interest and consideration. I await the glad
tidi s
g7 ocean front cayucos , ca. 93430
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MF`TING *'*' AGENDA
Df,. _—Z-1 ITEM #Lr.,
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t City Of SAn tuts OBISPO
August 13, 1996 990 Palm Street, San Luis Obispo, CA 93401-3249
MEMORANDUM
TO: Mayor Allen Settle and City Council
VIA: John Dunn, City Administrative Officer
FROM: Cultural Heritage Committee
Mayor and Council Members:
On August 20, 1996, the City Council is scheduled to consider a funding request from the
Chinatown Public Art Committee (CPAC) for a new mural. As sponsor of the proposal, the
Cultural Heritage Committee has reviewed CPAC's proposal and supports its recommendation.
We urge the City Council to add its support to this excellent project and to provide the additional
resources needed.
At its July 22, 1996 meeting, the CHC unanimously agreed with CPAC's recommendation to
retain artist Peter LaDochy. The Committee also supported their request for an additional $5,000
in City funding to install the proposed Chinatown mural. Committee members felt that additional
funding, beyond the original $10,000 budget, was warranted due to the high quality and durability
of the proposed design and materials. They felt that the proposed mosaic the mural would look
good longer and require less maintenance than the other artwork proposals which used acryllic
paint. In support of the request, CHC members noted that had the original art allocation been
invested in an interest-bearing fund in the late 1980s, the earned interest would probably have
been sufficient to fund the proposed artwork.
If you have questions regarding the CHC's discussion or action, please feel free to call me at 543-
6680.
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Garth Kornr ch, Vice-Chair COUNCIL CDD DIR
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CITY COUNCIL
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