HomeMy WebLinkAbout06/15/1999, 6 - TILE MOSAIC MURALS ON SAN LUIS CREEK RETAINING WALLS IN MISSION PLAZA 1
council - is-71
j agenda Report
C I TY O F SAN LU IS O B I S P O
FROM: Ken Hampian,Assistant City Administrative Officer//
Prepared By: Wendy George,Assistant to the City Administrative Officer
SUBJECT: ' TILE MOSAIC MURALS ON SAN LUIS CREEK RETAINING WALLS
IN MISSION PLAZA
CAO RECOMMENDATION
Provide conceptual approval for the placement of tile mosaic murals on the retaining walls of San
Luis Creek in Mission Plaza.
DISCUSSION
City staff has been contacted by two artists, Teresa Campbell and Laurel Merchant,with a proposal
to place a series of tile mosaic murals on some of the retaining walls along San Luis Creek in
Mission Plaza. Staff explained that the City currently has no funding available for such a project,
and suggested the artists explore the possibility of soliciting private support, instead. Ms. Campbell
and Ms. Merchant proceeded to contact both the San Luis Obispo County Arts Council,which was
very much in favor of the concept, and the Downtown Association, which not only licked the idea,
but agreed to develop a finding program for the mosaics.
The Downtown Association hopes to fund the first of the mosaics itself, with future finding
coming through private contributions and memorial gifts. This approach is similar to the way the
downtown bench program was fimded. The cost of the individual mosaics would likely range from
$1,500 to$8,200,.depending on the size and complexity of the design.
Staff has spent time with the artists discussing concerns relating to the sensitivity of the creek and
Mission Plaza environment, including the need to build support for the concept among several
stakeholders and the potential requirement to receive approval from certain permitting agencies.
The artists have met with the City Engineer and have satisfied his concerns about the mosaics'
ability to withstand the forces of high water in the creek. At his direction, they will be contacting
the Regional Water Quality Control Board and the Department of Fish and Game to assure that the
process of applying the mosaics to the wall will meet their requirements. They will also be
working with the City's Natural Resources Manager to select the subject matter for the different
mosaics. It is their intention that the subjects chosen be native to the creek area Staff has also
contacted ECOSLO to inform it about the project. ECOSLO was very supportive, as long as the
artwork related to native plants or animals. The Parks and Recreation Commission has also
reviewed the proposal and was supportive of the concept.
At this time, staff is seeking Council's conceptual approval for placing mosaics on the creek
retaining walls. Because Mission Plaza is such a significant focus of the downtown, and because
San Luis Creek is such a sensitive habitat, staff felt that it was important to have this approval
Agenda Report-San Luis Creek Mosaics
Page 2
before the project proceeds any further. Once approval is received, the artists and the Downtown
Association will more clearly define the actual design of each mosaic and then will take the project
to the Architectural Review Commission(ARC). Assuming approval of the ARC, the project will
return to the Council for final design approval. At that point,the Downtown Association will begin
to solicit private finding for the individual mosaics. It may take several years until all the mosaics
are completed, due to the funding process being proposed. However, each mosaic will be able to
stand alone,in addition to being part of an integrated project.
CONCURRENCES
As indicated above, the San Luis Obispo Arts Council, Downtown Association, ECOSLO, the
Natural Resources Manager,the City Engineer and the Parks and Recreation Commission have all
been apprised of the proposed project and have provided conceptual support. These parties will
also be consulted as specific designs are prepared for ARC review.
FISCAL Il"ACT
It is the intention that all finding for creating the mosaics come from private sources. Before
returning to the Council for final approval, agreement will need to be reached with the Downtown
Association as to who will pay for any repairs or maintenance in the future.
Attached
Conceptual examples of the mosaics. (It should be noted that these examples do not necessarily
represent the final designs.)
Available in the Council Office
Colored copies of the conceptual examples.
6-Z
1
I•
A PROPOSAL- TO BEAUTIFY
THE.SAN LUIS OBISPO CREEK WALK
March 16, 1999
Submitted by .
Teresa Campbell and Laurie Merchant
805/927-0714 & 8051927r0198
G -3
A PROPOSAL TO BEAUTIFY THE SAN LUIS OBISPO CREEK WALK
1. SUMMARY
There's no question that landscaping and sculpture will beautify the Creek Walk in San
Luis Obispo. However, they won't improve the large expanse of bleak, concrete
retaining wall behind the creek. These industrial-looking backdrops detract substantially
from the natural beauty of the area.
We recommend a series of colorful, sparkling, nature-oriented mosaics to transform
these walls into beautiful canvasses that will uplift and inspire the large numbers of
people who interact with the Creek Walk. Each of the images would represent flora and
fauna indigenous to the area. Sunlight hitting the glass and various tile surfaces will
add a magical, glittering quality that is ever changing.
2. BENEFITS OF MOSAIC
Mosaics have an aura and richness that few artforms can claim. Their intricate multi-
colored designs have been used since the dawn of civilization to beautify castles, .
temples, mosques, churches, and other major structures. The many different types of
tile and glass we use provide brilliant colors and sheens.
The mosaic medium is extremely durable and withstands sunlight, wind, rain and
splashing water very well. The colors will not fade or peel. Because of its durability, tile
is often the only material that survives from early civilizations. This would make it the
ideal artform for the Creek Walk.
3. OUR MOSAICS ARE UNIQUE
Most mosaic artists buy tiny square tiles of the same size and carefully compose
pictures from them. The results are often bland, uniform looking pieces. Our approach
is different. We use tile and glass in our mosaics and break them up into many
different sizes. This makes every piece we do completely different and far more
interesting than the typical `paint by the numbers," approach.
In addition to being beautiful, our mosaics are also environmentally sound. We use only
tile and glass that has been discarded by the commercial tile industry. We literally pull
tile destined for the landfill from dumpsters and construction sites. It is very satisfying to
know that we are using these materials in creative and artistic ways for the public's
benefit.
4. RECOMMENDED MOSAICS
After walking the creek, we identified speeffic places that were most appropriate for a
mosaic treatment. In all cases, we chose subjects that looked like they belonged to that
particular area.
An egret under the bridge
Imagine the delight of spotting a 12-foot high graceful egret standing in a pool of water
underneath the Mission bridge. For this mosaic, many different shades of white tile,
accented by hues of purple and blue for its feathers, would be used to depict this
elegant creature.
A butterfly near the bridge
Children can be seen playing year-round in the small area next to the bridge where
most of the creek's water accumulates. This large cement retaining wall would be ideal
for placement of a brilliantly colored, luminous Monarch butterfly with an 8400t wing
span.
A lizard near the shops
As you wend your way down the creek where the shops are located, visualize a lazy
mosaic lizard wrapping itself around the comer of the multi-angled wall.
Calla lillies throughout the creek
We recommend a series of large, luscious calla lillies for thelong retaining wall that runs
through the main part of the creek.
Calffomia landscape by Rhythm Creek Cafe
A large California landscape with rolling golden hills, trees and a big blue sky fading to
white would make a wonderful mosaic near the popular Rhythm Creek Cafe. The mural
could be seen from the Creek Walk and also from the street above. This piece would
be approximately T X 30' and would use many large pieces of tile to maintain cost
effectiveness. Colors would be on the earthy side with browns, creams and golden
shades being predominant.
A dragonfly near Kids Museum
As you walk up over Broad Street, there's a new and highly visible piece of cement near
the bridge by the Kids Museum. We recommend a dragonfly mosaic with an 8-foot wing
span under the bridge. The wings would be composed of variegated colored glass to
produce their unique shimmering quality.
�p-S
5. PRELIMINARY SCHEDULE
Projecting a start date of April 15, we estimate that all the pieces could be complete by
September 15, 1999. When the project is further defined, we will provide a more
detailed timeline. Obviously, we will need to discuss the order in which the mosaics
should be produced. Following is a breakdown of time by recommended mosaic:
Egret 3 weeks
Butterfly 3 weeks
Lizard 3 weeks
Calla lillies 3 weeks .
California landscape 6 weeks
Dragonfly .3 weeks
TOTAL: 21 weeks
6. ESTIMATED COSTS
Following is a rough estimate of costs to design, produce and install the mosaic murals.
These costs include all tile and glass materials. A separate fee has been included for
grout and fixatives during installation.
Egret $3,250
Butterfly $2,500
Lizard $1,500
Calla lillies $3,500
California Landscape $89200
Dragonfly $29250
TOTAL LABOR: $21,200
MATERIALS: $ 750
ESTIMATED GRAND TOTAL: $21,950
7. ARTIST QUALIFICATIONS
Collectively, Teresa Campbell and Laurie Merchant have 45 years of experience in fine
arts, pottery and mural painting. For the past five years, they have functioned as an
artistic duo and have been commissioned to create, design and install a variety of large-
scale outdoor mosaic murals.
Teresa Campbell has been a well-respected working artist/potter in San Luis Obispo
County for 20 years. Her extensive work at the Harmony Pottery Studio has given her
in-depth experience in designing and producing highly expressive porcelain, terra cotta
and stoneware objects. Ms. Campbell is also well known for her large-scale mural
paintings on wood. Her work in all mediums reflects a high degree of intelligence,
exuberance, creativity, and humor.
Laurie Merchant's background includes 25 years as an artist and painting/drawing
instructor. Her intricate, nature-oriented watercolors have a mosaic-like "feel" and have
been exhibited throughout the country. In the 1980's she served as a commissioner
and Chairman of the Art-in-Public-Places Committee for the Sacramento Metropolitan
Arts Commission.
R E S U M E
Teresa Campbell
P.O. Box 2424
Harmony, CA 93435
805/927-0714
Professional Experience
Since 1978, 1 have been a working artist/potter. My work at the Harmony Pottery Studio
has included formation of functional and sculptural ware in porcelain, terra cotta and
stoneware. I am also skilled in glaze calculation, mixing, kiln loading and firing. In
addition, I have created large-scale murals in different media. More recently, I have
combined my pottery and mural experience to produce outdoor mosaic murals.
Teaching
1974-1975 - Adult and children's pottery classes at the University of North Dakota Craft
Center
1975-1977 - Children's ceramics classes, Blaine County, Idaho school system
1995-1997 - Ceramics and art classes at YMCA Camp Ocean Pines
1996 - Native American and African Art Camps for children with Laurie Merchant
1997 - Nature Art Camps for children with Laurie Merchant
1997-1998 -Three month-long homestay programs with Cultural Homestay
International involving Japanese students and American host families. Responsibilities
included teaching English and coordinating all activities.
Exhibitions
"In Harmony" -Two-woman show with Sherry Schuyler.at the Harmony Pottery Works.
Ceramics, painting and sculpture - 1987
"The Other Way," OFF THE WALL Project on Higuera Street,San Luis Obispo. Large
plywood figures on mural background - 1991
"Mom Art" -Two-woman show with sister Jean Campbell at the Main Birmingham Public
Library, Alabama. Ceramic wall pieces and plates, paintings, large plywood cut-out
paintings
Pascucci Restaurant - One-woman show on State Street in Santa Barbara. Ceramic
6-k
wall pieces, plates, plywood cut-out paintings - 1991
NAF Art Gallery - One-woman show in Cambria, CA. Pottery, terra cotta, large plywood
cut-out paintings - 1992
"Joe" -Two-woman show with sister Jean Campbell in Birmingham, Alabama. Pottery
ceramic wall pieces, paintings - 1992
Molly's Coffee House -One-woman show, Cambria, CA. Ceramic plates and masks on
plywood cut-outs - 1994
Grants
San Luis Obispo County Arts and Business Collaborative grant with Pastore's Trattoria.
Works included bowls, carafes and serving dishes made in the country"Italian style,"
with each piece depicting a diiffferent scene and the restaurant logo.
1998 - SLO County Two People Project, Beyond the Boundaries. Grant involved a
disabled artist and a non-disabled artist. With Lisa Angle, produced a three-act play
and designed props and backdrops with children.
Education
1971 - University of Hawaii, B.A. English
1975-1977 - Two years study in jewelry and ceramics, University of North Dakota
1975-1977 -Two years study at Sun Valley Center for Arts and Humanities - Sun
Valley, Idaho
1981-1987 - Numerous drawing, paint, photography and watercolor classes, Cuesta
College, San Luis Obispo
Workshops by Don Reitz on large-form construction, Paul Soldner on raku firing and
Blue Com (a san Ildefonso Pueblo potter) on traditional American Indian pottery
formation and firing
G-9
R E S U M E
Laurel Merchant
5221 Hillcrest Drive
Cambria, CA 93428
805/927-0198
Professional Experience
1975-1977 - Painting Instructor, Fresno City College, Fresno, CA
1977-1979 - Drawing Instructor, University of Idaho, Moscow, ID
1984-1986 - Served as commissioner and Chairman of the Art-in-Public Places
Committee for Sacramento Metropolitan Arts Commission. Responsible for
commissioning art and allocating money for public art projects in and around
government buildings and parks.
1985-1988 - Art instructor-third to fifth graders - Orangevale Open School (WHERE?)
1995-1996 - Art Instructor. Developed and conducted African and Native American art
camps and After School Art Program for YMCA Camp Ocean Pines,Cambria, CA
1997-1998 - Director/coordinator/teacher of children's art camp. In partnership with
Teresa Campbell, Cambria, CA
1997-1999 -Art Specialist in "Mindbenders Program" as part of Children's Creative
Workshop Grant, Sunnyside Elementary School, Los Osos, CA
Exhibitions
Kingsley Annual, Crocker Art Museum, Sacramento, 1972
Los Olmecas Gallery, Sacramento, 1973
California State University, Witt Gallery, Sacramento, 1974
A.I.R. Gallery, San Francisco, 1975
Fresno Art Center, 1976
University of Idaho Exhibition Gallery, Moscow, ID, 1979
6 io
San Francisco Museum of Modem Art, Rental Gallery, 1984
AIDS Benefit Show, Sacramento, 1985 .
Michael Himoviitz Gallery, Sacramento, 1985
"Art Bridge," Kobe, Japan, 1986
Djurovich Gallery, Sacramento, 1986
American Crafts Council Shows, Baltimore, Boston, Minneapolis, 1991
"927 Show," Cambria, CA, 1992, 1995, 1998
Greenspace Exhibition, Cambria, CA, 1994
The Cambria Fine Art Gallery, Cambria, CA 1998-1999
Education
University of California, Davis, B.A. 1970
California State University, Sacramento, M.A. 1974
Universtiy of Idaho, M.F.A. 1980
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RECEIVED
JUN l 41999 MEETING AGENDA
DATE ITEM #
MEMO
SLO CITY CLERK
June 13, 1999
To: Mayor Allen Settle and Council Members John Ewan,Jan Howell Marx and
David Romero
From Ken Sch
Re: June 15, 19 9 Agenda Item#6: Tile Mosaic murals on San Luis Creek
Retaining Walls in Mission Plaza
Copies: John Dunn, Ken Hampian,Wendy George, Paul LeSage,Arnold Jonas, and
artists Teresa Campbell and Laurel Merchant
While I agree with the CAO's recommendation for conceptual approval of this proposal, I
believe that there are a number of details that must be worked out before this proposal
comes back to the City Council for final approval
I attended the Parks and Recreation Commission meeting when the artists, Teresa
Campbell and Laurel Merchant made a presentation and received P&R's conceptual
approval of their idea. I was also in attendance(as I think most Council Members were)
when the artists made essentially the same presentation to the Downtown Association's
breakfast meeting last week. The proposal has many interesting merits and the artists are
to be commended for their pursuit of their idea.
Nevertheless, I think the Council should be very cautious in moving to final approval of
this idea without first considering the following:
1. Definition of a `5retaining wall"on which a mural may be placed.
Comment: There are several types of retaining walls within the creek area, to wit:
poured concrete, stone (two types), and broken concrete. Some types lend themselves
to mural work;some do not.
2. Definition of the linear limits of the creekbank retaining walls on which murals may be
placed.
Comment:Are we talking about the Mission Plaza block or are we talking about the
Creekwalk block or are we talking about both blocks? What walls within this length
lend themselves to the application of mosaic work?
E ---
ADD DIR
3. A specific theme to be adhered to. ❑SIN DIR
❑FIRE CHIEF
❑PW DIR
❑POLICE CHF
MEC DIR
❑UTIL DIA
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Page 2
Comment: The artists'work contained within our agenda packet contains animals,
insects, landscapes and calla lilies. (I don't think calla lilies are native)
4. Should the theme object, such as the lizard or dragonfly,be placed on an existing
retaining wall as a "spot object"(as shown in the artists' renderings)or,should the
entire wall be covered in mosaic tile in which the object is an integral part?
Comment: The integration of an object(lizard or dragonfly) into a wall completely
covered by mosaic work would be more costly, but perhaps much more beautiful in
that it would fully cover the rather common base materials.
5. Should the entire linear area devoted to mosaic mirals be given over to the exclusive
display of the work of one artist(or team of artists)?
Comment. This is the toughest question of all. On one hand, if one were to consider
the total length of the creek as one canvas, there is certainly something to be said
about wanting to see integration of the work, e.g. theme, color, style, technique.
There is something to be said about "a finders fee"for the industry of these two
artists in proposing the idea and doing the preliminary work that they have done.
On the other hand, this is public property and a highly used public space. What
artist wouldn't covet this "museum"for the exclusive and permanent display of
his/her work? Should this "canvas" be divided into sections (it is actually divided in
sections by the differing types of retaining walls) and put out to "bid"so to spear
To do so would permit a number of mosaic artists to display their work Would this
enrich the creek or would it lead to a confusing display of art?
I think we have some basic public policy issues which are new to San Luis Obispo. And
when in doubt what do we do? I think we need to form an ad hoc committee to consider
these issues and come back to the Council with recommendations. Key to the
composition of this committee would be the inclusion of at least two members of the art
conn mity. I think it would also be important to have a member from our P &R
commission which has a kind of proprietary interest in what goes on in our parks. And I
think it would be important to have someone who has historical knowledge of and interest
in Mission Plaza- Myron Graham would fit that slot very nicely. Wendy George should
be a member to represent staffs interest in our public arts program
MEETING AGENDA
DATEITEM #
A PROPOSAL TO BEAUTIFY
THE SAN LUIS OBISPO CREEK WALK
March 16, 1999
Submitted by:
Teresa Campbell and Laurie Merchant
805/927-0714 & 805/927-0198
A PROPOSAL TO BEAUTIFY THE SAN LUIS OBISPO CREEK WALK
1. SUMMARY
There's no question that landscaping and sculpture will beautify the Creek Walk in San
Luis Obispo. However, they won't improve the large expanse of bleak, concrete
retaining wall behind the creek. These industrial-looking backdrops detract substantially
from the natural beauty of the area.
We recommend a series of colorful, sparkling, nature-oriented mosaics to transform
these walls into beautiful canvasses that will uplift and inspire the large numbers of
people who interact with the Creek Walk. Each of the images would represent flora and
fauna indigenous to the area. Sunlight hitting the glass and various tile surfaces will
add a magical, glittering quality that is ever changing.
2. BENEFITS OF MOSAIC
Mosaics have an aura and richness that few artforms can claim. Their intricate multi-
colored designs have been used since the dawn of civilization to beautify castles,
temples, mosques, churches, and other major structures. The many different types of
tile and glass we use provide brilliant colors and sheens.
The mosaic medium is extremely durable and withstands sunlight, wind, rain and
splashing water very well. The colors will not fade or peel. Because of its durability, tile
is often the only material that survives from early civilizations. This would make it the
ideal artform for the Creek Walk.
3. OUR MOSAICS ARE UNIQUE
Most mosaic artists buy tiny square tiles of the same size and carefully compose
pictures from them. The results are often bland, uniform looking pieces. Our approach
is different. We use tile and glass in our mosaics and break them up into many
different sizes. This makes every piece we do completely different and far more
interesting than the typical "paint by the numbers," approach.
In addition to being beautiful, our mosaics are also environmentally sound. We use only
tile and glass that has been discarded by the commercial the industry. We literally pull
tile destined for the landfill from dumpsters and construction sites. It is very satisfying to
know that we are using these materials in creative and artistic ways for the public's
benefit.
4. RECOMMENDED MOSAICS
After walking the creek, we identified specific places that were most appropriate for a
mosaic treatment. In all cases, we chose subjects that looked like they belonged to that
particular area.
An egret under the bridge
Imagine the delight of spotting a 12-foot high graceful egret standing in a pool of water
underneath the Mission bridge. For this mosaic, many different shades of white tile,
accented by hues of purple and blue for its feathers, would be used to depict this
elegant creature.
A butterfly near the bridge
Children can be seen playing year-round in the small area next to the bridge where
most of the creek's water accumulates. This large cement retaining wall would be ideal
for placement of a brilliantly colored, luminous Monarch butterfly with an 8-foot wing
span.
A lizard near the shops
As you wend your way down the creek where the shops are located, visualize a lazy
mosaic lizard wrapping itself around the comer of the multi-angled wall.
Calla fillies throughout the creek
We recommend a series of large, luscious calla lillies for the long retaining wall that runs
through the main part of the creek.
California landscape by Rhythm Creek Cafe
A large California landscape with rolling golden hills, trees and a big blue sky fading to
white would make a wonderful mosaic near the popular Rhythm Creek Cafe. The mural
could be seen from the Creek Walk and also from the street above. This piece would
be approximately 7' X 30' and would use many large pieces of the to maintain cost
effectiveness. Colors would be on the earthy side with browns, creams and golden
shades being predominant.
A dragonfly near Kids Museum
As you walk up over Broad Street, there's a new and highly visible piece of cement near
the bridge by the Kids Museum. We recommend a dragonfly mosaic with an 8-foot wing
span under the bridge. The wings would be composed of variegated colored glass to
produce their unique shimmering quality.
5. PRELIMINARY SCHEDULE
Projecting a start date of April 15, we estimate that all the pieces could be complete by
September 15, 1999. When the project is further defined, we will provide a more
detailed timeline. Obviously, we will need to discuss the order in which the mosaics
should be produced. Following is a breakdown of time by recommended mosaic:
Egret 3 weeks
Butterfly 3 weeks
Lizard 3 weeks
Calla lillies 3 weeks
California landscape 6 weeks
Dragonfly .3 weeks
TOTAL: 21 weeks
6. ESTIMATED COSTS
Following is a rough estimate of costs to design, produce and install the mosaic murals.
These costs include all tile and glass materials. A separate fee has been included for
grout and fixatives during installation.
Egret $3,250
Butterfly $2,500
Lizard $1,500
Calla lillies $3,500
California Landscape $8,200
Dragonfly $2,250
TOTAL LABOR: $21,200
MATERIALS: $ 750
ESTIMATED GRAND TOTAL: $21,950
7. ARTIST QUALIFICATIONS
Collectively, Teresa Campbell and Laurie Merchant have 45 years of experience in fine
arts, pottery and mural painting. For the past five years, they have functioned as an
artistic duo and have been commissioned to create, design and install a variety of large-
scale outdoor mosaic murals.
Teresa Campbell has been a well-respected working artist/potter in San Luis Obispo
County for 20 years. Her extensive work at the Harmony Pottery Studio has given her
in-depth experience in designing and producing highly expressive porcelain, terra cotta
and stoneware objects. Ms. Campbell is also well known for her large-scale mural
paintings on wood. Her work in all mediums reflects a high degree of intelligence,
exuberance, creativity, and humor.
Laurie Merchant's background includes 25 years as an artist and painting/drawing
instructor. Her intricate, nature-oriented watercolors have a mosaic-like "feel" and have
been exhibited throughout the country. In the 1980's she served as a commissioner
and Chairman of the Art-in-Public-Places Committee for the Sacramento Metropolitan
Arts Commission.
R E S U M E
Teresa Campbell
P.O. Box 2424
Harmony, CA 93435
805/927-0714
Professional Experience
Since 1978, 1 have been a working artist/potter. My work at the Harmony Pottery Studio
has included formation of functional and sculptural ware in porcelain, terra cotta and
stoneware. I am also skilled in glaze calculation, mixing, kiln loading and firing. In
addition, I have created large-scale murals in different media. More recently, I have
combined my pottery and mural experience to produce outdoor mosaic murals.
Teaching
1974-1975 - Adult and children's pottery classes at the University of North Dakota Craft
Center
1975-1977 - Children's ceramics classes, Blaine County, Idaho school system
1995-1997 - Ceramics and art classes at YMCA Camp Ocean Pines.
1996 - Native American and African Art Camps for children with Laurie Merchant
1997 - Nature Art Camps for children with Laurie Merchant
1997-1998 - Three month-long homestay programs with Cultural Homestay
International involving Japanese students and American host families. Responsibilities
included teaching English and coordinating all activities.
Exhibitions
"In Harmony" -Two-woman show with Sherry Schuyler at the Harmony Pottery Works.
Ceramics, painting and sculpture - 1987
"The Other Way," OFF THE WALL Project on Higuera Street,San Luis Obispo. Large
plywood figures on mural background - 1991
"Mom Art" - Two-woman show with sister Jean Campbell at the Main Birmingham Public
Library, Alabama. Ceramic wall pieces and plates, paintings, large plywood cut-out
paintings
Pascucci Restaurant - One-woman show on State Street in Santa Barbara. Ceramic
wall pieces, plates, plywood cut-out paintings - 1991
NAF Art Gallery - One-woman show in Cambria, CA. Pottery, terra cotta, large plywood
cut-out paintings - 1992
"Joe" - Two-woman show with sister Jean Campbell in Birmingham, Alabama. Pottery
ceramic wall pieces, paintings - 1992
Molly's Coffee House - One-woman show, Cambria, CA. Ceramic plates and masks on
plywood cut-outs - 1994
Grants
San Luis Obispo County Arts and Business Collaborative grant with Pastore's Trattoria.
Works included bowls, carafes and serving dishes made in the country "Italian style,"
with each piece depicting a diffferent scene and the restaurant logo.
1998 - SLO County Two People Project, Beyond the Boundaries. Grant involved a
disabled artist and a non-disabled artist. With Lisa Angle, produced a three-act play
and designed props and backdrops with children.
Education -
1971 - University of Hawaii, B.A. English
1975-1977 -Two years study in jewelry and ceramics, University of North Dakota
1975-1977 - Two years study at Sun Valley Center for Arts and Humanities - Sun
Valley, Idaho
1981-1987 - Numerous drawing, paint, photography and watercolor classes, Cuesta
College, San Luis Obispo
Workshops by Don Reitz on large-form construction, Paul Soldner on raku firing and
Blue Com (a san Ildefonso Pueblo potter) on traditional American Indian pottery
formation and firing
R E S U M E
Laurel Merchant
5221 Hillcrest Drive
Cambria, CA 93428
805/927-0198
Professional Experience
1975-1977 - Painting Instructor, Fresno City College, Fresno, CA
1977-1979 - Drawing Instructor, University of Idaho, Moscow, ID
1984-1986 - Served as commissioner and Chairman of the Art-in-Public Places
Committee for Sacramento Metropolitan Arts Commission. Responsible for
commissioning art and allocating money for public art projects in and around
government buildings and parks.
1985-1988 - Art instructor- third to fifth graders - Orangevale Open School (WHERE?)
1995-1996 - Art Instructor. Developed and conducted African and Native American art
camps and After School Art Program for YMCA Camp Ocean Pines, Cambria, CA
1997-1998 - Director/coordinator/teacher of children's art camp. In partnership with
Teresa Campbell, Cambria, CA
1997-1999 - Art Specialist in "Mindbenders Program" as part of Children's Creative
Workshop Grant, Sunnyside Elementary School, Los Osos, CA
Exhibitions
Kingsley Annual, Crocker Art Museum, Sacramento, 1972
Los Olmecas Gallery, Sacramento, 1973
California State University, Witt Gallery, Sacramento, 1974
A.I.R. Gallery, San Francisco, 1975
Fresno Art Center, 1976
University of Idaho Exhibition Gallery, Moscow, ID, 1979
San Francisco Museum of Modern Art, Rental Gallery, 1984
AIDS Benefit Show, Sacramento, 1985 .
Michael Himovitz Gallery, Sacramento, 1985
"Art Bridge," Kobe, Japan, 1986
Djurovich Gallery, Sacramento, 1986
American Crafts Council Shows, Baltimore, Boston, Minneapolis, 1991
"927 Show," Cambria, CA, 1992, 1995, 1998
Greenspace Exhibition, Cambria, CA, 1994
The Cambria Fine Art Gallery, Cambria, CA 1998-1999
Education
University of California, Davis, B.A. 1970
California State University, Sacramento, M.A. 1974
Universtiy of Idaho, M.F.A. 1980
I
RECENT MOSAIC MURAL PROJECTS
Designed, created and installed by
Teresa Campbell and Laurie Merchant
805/927-0714
805/927.0198
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