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HomeMy WebLinkAbout12/03/2002, C5 - PURCHASE OF SANDRA KAY JOHNSON'S HEY, DIDDLE-DIDDLE SCULPTURE FOR THE CITY'S PUBLIC ART COLLECTIO councit Mafi.,°� a j acEnba Report CITY OF SAN LUIS OBISPO FROM: Wendy George,ACAO Prepared By: Betsy Kiser DeJarnette, Assistant to the CAO SUBJECT: PURCHASE OF SANDRA KAY JOHNSON'S "HEY, DIDDLE- DIDDLE" SCULPTURE FOR THE CITY'S PUBLIC ART COLLECTION CAO RECOMMENDATION As recommended by the Public Art Jury and the Architectural Review Commission (ARC), authorize the purchase of Sandra Kay Johnson's "Hey, Diddle-Diddle" bronze sculpture for the City's Public Art collection and allocate $8,250 from the Public Art In-Lieu funds to cover expenses associated with the purchase, installation and dedication of the piece. DISCUSSION "Hey, Diddle-Diddle" Sandra Kay Johnson's bronze sculpture "Hey, Diddle-Diddle" has been a part of the City's Revolving Sculpture program since the program's inception in March 2000. The whimsical piece, featuring a cat, a violin and the moon arranged in a precarious balancing act, is currently located on the northeast corner of Marsh and Chorro Streets. (See Attachment 1) On October 19, 2000, the piece received notoriety when it was stolen from its pedestal and never recovered. The piece was subsequently replaced with a new "Hey, Diddle-Diddle", and has delighted children, tourists and the community ever since. The Downtown Association Request to Purchase Piece The intent of the Revolving Sculpture Program has been to beautify and enhance the cultural amenities of Downtown, showcase local artists and their work for a year at a time, and provide revenue for the Downtown Association (DA) through commissions on sold pieces. To date, only two pieces have been placed in the program and although both have been well received by the public, neither has sold. Because 1) it is time to change-out "Hey, Diddle-Diddle"; 2) no new pieces are available to replace it; and 3) it is popular with the public, the DA approached the City with a request to consider the purchase of "Hey, Diddle-Diddle" as a permanent piece for our Visual Arts in Public Places Program. As an incentive for the City to acquire the piece, the artist reduced her asking price by $1000 and the DA agreed to waive their $1500 commission. (See Attachment 2) /i Council Agenda Report—Purchase of"Hey Diddle-Diddle" Page 2 Jury Participation Per City Policy, potential public art requires a formal jury review, followed by approval of the ARC, and final acceptance by the City Council. Although this project differs from most public art projects that are actually commissioned by the City in tandem with capital improvement projects, the process remains the same. Therefore, in keeping with Public Art Policy, staff assembled a jury consisting of Deborah Spatafore, Ginny Griffin and Allan Root (two jurors were absent). On August 7, 2002, the jury reviewed "Hey, Diddle-Diddle" using the Public Art Selection Criteria and recommended that it be forwarded to the ARC with the following considerations: 1. Relocation. Relocate the piece so that the site better reflects the quality and nature of the art. The current location is poorly lit and has limited access for public interaction. The jury recommends that it be relocated from the northeast to the southwest comer of the same intersection (Washington Mutual corner) until such time that it can be placed in a more permanent location such as Garden Street. (Attachment 3) Better natural lighting and fewer poles, trees and obstacles exist in the proposed corner. In addition, the proposed site is one of twenty-one sites previously approved by the City Council for the Revolving Sculpture Program and therefore lends itself well to the relocation. 2. New base. The existing pedestal under "Hey, Diddle-Diddle" is a generic base, purchased by a sponsor, and designed for any size or shape of artwork participating in the Revolving Sculpture Program. In this case, the base is too large for the sculpture, and the jury recommends a based designed specifically for the piece. Staff has been in contact with Dr. Matthew Kim, the sponsor of the base, who has requested that his sponsorship plaque be placed on the new base until such time that the City reuses the existing base for another piece of art in the Downtown. ARC Review On November 4, 2002, the ARC reviewed "Hey, Diddle-Diddle" using the Guidelines for Public Art (Attachment 4). After discussion, the ARC approved the project, finding that the public art within the Marsh Street right-of-way meets the criteria for public art. (Attachment 5) Pedestal and Installation of Piece In response to the jury's request for a more appropriate pedestal for "Hey Diddle-Diddle", the artist Sandra Kay Johnson submitted a design that would showcase the art without compromising security or aesthetics. (Attachment 6) Per the Financial Management.Purchasing Guidelines for purchases under $5,000, bids were solicited from three metalworks companies for fabrication of the pedestal. Although not the least expensive, Ferromobius was selected for the following reasons: 1. They fabricated the original pedestals used in the Downtown Revolving Art Program and therefore provide design consistency. GAProjects&Programs\Public Art\Current Projects\Cat&Fiddle\CAR-Hey Diddle Diddle purchase 120302.doc ��-a Council Agenda Report—Purchase of"Hey Diddle-Diddle" Page 3 2. They have an excellent reputation and a great deal of experience with public art, having recently installed Iron Road Pioneers. 3. They are willing and able to install the piece and carry appropriate liability insurance as required by the City. FISCAL IMPACT Appropriate funds exist in the Public Art In-lieu Fund to purchase "Hey Diddle-Diddle", fabricate the pedestal, install the artwork and plaque, and hold a dedication ceremony. Cost of Artwork $5,000 Fabrication of Pedestal & Installation (not to $3,050 exceed) Plaque and Dedication $ 200 TOTAL COST $8,250 Public Art In-Lieu Fund $56,176 Less Project Costs < 8,250> FUNDS REMAINING $47,926 CONCURRANCES The Public Art Jury and the ARC both reviewed "Hey Diddle-Diddle" and recommend that the piece be included in the City's Visual Art in Public Places Program. Public Works reviewed the proposed installation site and finds the site to be appropriate in terms of space and safety requirements. ALTERNATIVES Council could choose not to purchase"Hey Diddle-Diddle"in which case the artist could remove the piece per the Revolving Art Program guidelines. Staff does not recommend this action due to the popularity of the piece. ATTACHMENTS 1. "Hey Diddle-Diddle" 2. Downtown Association letter of request 3. Proposed location of artwork 4. Guidelines for Public Art 5. Results from the ARC November 4, 2002 meeting (Minutes not available when agenda report written) 6. Pedestal design GAProjects&Programs\Public Art\Current Projects\Cat&Fiddle\CAR-Hey Diddle Diddle purchase 120302.doc CS'3 ' ATTACHMENT 1 z le �i .� � -gyp r ..._r. e<� G 54•�. � F F 4 ` c.. � �i�X'.�: 's" x�- -C+�;.=` �?•� '': +.�� fir. i- �l n t � J' !J ter: Y _ [ A CJ� 1 SANDRA KAY JOHNSON, M.F.A. ATTACHMENT 1 V I S U A L A R T S D E S I G N S T U D I O HEY, DIDDLE-DIDDLE A recurring theme in my studio work is one of musical connections. Because I have found that from time to time I will see or experience something that triggers a musical response in me; an image that will suddenly bring back a line from an old song and leave me humming. I began trying to create those connections in my visual imagery. I enjoy the kind of nonsense and nostalgia that is often connected with old lyrics and melodies. I want my art to challenge the imagination and elicit an emotional response; lift the spirits. My original bird sculpture that became the prototype for the airport project was a prancing, preening bird that I called "1 Fee/Dada". The title is a combination of the old song "I Feel Pretty"from My Fair Lady, and the Dada movement in art; a period when a group of artists decided that the art community was taking itself way too seriously. I have seen people look at the "I Feel Dada"sculpture, then look at the title and sing bit out loud. So I guess it does work. "He Promised To Buy Me a Bunch of Blue Ribbons"is another old tune that has become a part of several of my paintings and sculptures. And that is the idea behind "Hey, Diddle-Diddle'; Beginning with a childhood tune that everyone knows and playing with the visual elements. I wanted to create a certain amount of tension by arranging the cat, the violin and the moon in a precarious balancing act. I made the cat's coat rough and textured to give him character and to contrast the very smooth violin. I am delighted to continually hear positive responses from the public who seem to enjoy "Hey, Diddle-Diddle." 2 3 5 APPLEGATE WAY ARROYO GRANDE CA 9 3 4 2 0 8 0 5 4 8 9 4 3 8.C cs-s ATTACHMENT 2 22 July 2002 To: Cecelia Paredes From Deborah Holley Re: Hey Diddle Diddle,background Hey Diddle Diddle is the name of the cat and fiddle over a globe bronze sculpture on display by artist Sandra Kay Johnson in Downtown SLO. The sculpture was one of two pieces that were placed as part of the Downtown Association's Revolving Sculpture Program initiated in 2000 and discontinued in 2001.* There is quite a bit of information as to how the program came about and why it didn't perform as expected; one of the reasons being that outdoor public art suitable for the program was difficult to obtain for purposes of display and sale. We were fortunate to obtain Hey Diddle Diddle in late summer of 2001 and display it at the comer of Chorro and Marsh streets, an approved City site for public art. The base was purchased by Dr. Matthew Kim, who was also instrumental in convincing his friend Sandra Kay Johnson to install her sculpture there. At the time, art in the program was slated to be on display for one year, during which time it would be available for sale, then "changed out" with a new piece with the former sculpture going to either its new owner or back to the artist. Within two months, the sculpture was vandalized with the cat and fiddle being separated from the ball and stolen. (See attached). However; Sandra Kay was able to replace the sculpture and the new piece has been on display for nearly a year without incident. Its time for being "changed out" is at hand, however, there are no new pieces available with which to replace the sculpture. - Therefore, the Downtown Association requested that the City purchase Hey Diddle Diddle as a permanent piece to retain this very popular piece of art for the community. Hey Diddle Diddle is a source of delight for all ages. People.walking by are,surprised to come upon the whimsical piece that.inspires comment, touch and smiles. Sandra Kay Johnson has priced the item at$7,500 however, with the Downtown Association waiving the commission ($1,500) and a further reduction by Johnson, her asking price from the City is $5,000—a real bargain we believe. P.O.Box 1402•San Luis Obispo•CA•93406 805/541-0286 • FAX 805/781-2647 • email da@downtownslo.com CS' In ATTACHMENT 3 CURRENT AND PROPOSED LOCATION FOR "HEY, DIDDLE-DIDDLE" cyo 2 Current Location < New Location . �-rl ATTACHMENT 4 GUIDELINES FOR PUBLIC ART 1. Public artwork shall be original and of high artistic quality. 2. Public art shall be located within the public right-of-way, or shall otherwise be easily visible or accessible from a public right-of-way 3. Interior locations for public art shall be freely open and accessible to the public. 4. Public art shall be compatible with the immediate site and neighborhood in terms of historic, social and cultural characteristics, architectural scale, materials, land use, and geographical and environmental context. 5. Public art proposed for areas of high historical sensitivity, such as Mission Plaza and its creek, should be given the closest scrutiny, including input from the Historical Society, before approval by the jury. 6. Public art shall be integrated with the site, and include landscaping, lighting, interpretive information and other amenities where appropriate. 7. Consideration shall be given to potential conflicts with present or future vegetation or construction.. 8. The design and placement of public art shall not impede pedestrian or vehicle traffic, or conflict with public or private easements. 9. Consideration shall be given to any public safety or public health concerns created by the artwork. 10. Permanent public art shall be constructed of durable, high-quality materials and require minimal or no maintenance. Temporary public art shall be constructed of materials appropriate to its duration of public display. 11. Public art shall be securely installed. 12. A wide variety of artistic expression is encouraged. However, expressions of profanity, vulgarity or obvious poor taste are inappropriate. 1 ATTACHMENT Cl-t;y PO of SAn UIS OBISnepartment of Community i]euElonmwt "' T" "1"" Planning Division 4 City of SLO-Administration November 5, 2002 Betsy DeJamette TO: File ARC PA 170-02: 1235 Chorro Street Betsy DeJarnette, Assistant to the CAO FROM: Ronald Whisenand, Deputy Community Development Director SUBJECT: Review of a proposal to place public art within the Marsh Street right-of- way adjacent to the Washington Mutual parking lot The Architectural Review Commission, at its meeting of November 4, 2002, approved the above project, finding that the public art within the Marsh Street right-of-way meets the criteria for public art. The decision of the Commission is final unless appealed to the City Council within 10 days of the action. cc: County of SLO Assessor's Office Great Western Bank c/o Washington Mutual P.O. Box 7788 Newport Beach, CA 92658 c5-a ATTACHMENT to Tz�5 IZ a C> nN � AO9 W ter__ m L>a x mop m G I D o CS- 10